Wednesday, November 30, 2005

Hiding Out

hey, to all my music buddies:

forgot to mention ( thought it was next week)

The Ghettobillies are going to be at BBC on North Avenue tomorrow night. I just got into some of their music, based on the recommendation of Jack from As The Apple Turns, and really, is there any more reliable source than the permanently hiatus writer of an online Apple-themed soap opera?

I digress.

As the GB are described,

From house shaking 70's disco, to orchestral backed ballads and thunderously powerful funk and rock.

or, from iTunes:

Instrumentation
Reverend C. Cobb - Lead vocals, Lead guitar, rythm guitar
Pope D 'Licious - Vocals, Rythm guitar, Lead guitar
Bong - Bass
The Holy Maloney - Drums, Percussion

Biography
The band Ghettobillies mix the raw, authentic blues rock of the 60's and 70's with the feel good stadium anthems of the 80's and the power pop of the new millennium. This explosive 4 piece rumbles the ground with power chords and riffs so thunderous, you thought it was rain. Yeah. Voices made of velvet swilling harmonies so smooth and powerful that no woman on earth can resist their spell. And a rocketing disco dance and funkified rhythm section so awe inspiring it can be seen from the moon.

With the certainty of a greased up masseur, The drummer, Holy Maloney, pushes and strokes the break beats and sweet pumping concussive thuds that form the base of this rock and roll building of worship. The bassist, Bong, drops the complex steel rivets of skin slapping lines that hold the tower tight and rigid. Guitarist Pope D. Licious fills the monolith with black, hot, sticky leather licorice chords and Reverend C. Cobb unleashes the unbridled spattering of gooey, silver tongued vocals and solos all over your face.


Anyways, they do a cover of Basketball Jones, so that's enough for me. Along with a bass player named Bong. who's with me? I'll be just coming off Charrette, putting together a proposal for the City tomorrow afternoon, so I'll be all tired and goofy.

I know it's short notice, Kyle, but it's a funk-slapping bass player named Bong. The only thing better would be a bagpipe player playing through an effects rack.

Drunk By Noon

We are all aware, I'd guess, that alcohol impairs your abilities. The spoken word is especially difficult at times; a friend sent along this list of words and phrases that are hard to say when you're drunk. Try It!

Things that are difficult to say when you're drunk:
a) Innovative
b) Preliminary
c) Proliferation d)Cinnamon
 
Things that are VERY difficult to say when you're drunk: 
a) Specificity 
b) British Constitution 
c)Passive-aggressive disorder 
d)Transubstantiate

And I can vouch for the fact that it is simply NOT Possible to say the following:

a) Thanks, but I don't want to sleep with you. 
b) Nope, no more booze for me. 
c) Sorry, but you're not really my type. 
d) No kebab for me, thank you. 
e) Good evening officer, isn't it lovely out tonight? 
f) I'm not interested in fighting you. 
g) Oh, I just couldn't- no one wants to hear me sing. 
h) Thank you, but I won't make any attempt to dance, I have no 
co-ordination. I'd hate to look like a fool. 
i) Where is the nearest toilet? I refuse to vomit in the street. 
j)I must be going home now as I have work in the morning.

I know the words, but the way they are arranged just makes no sense to me.

Tuesday, November 29, 2005

The Big Light

Dammit, I got no time for blog, but this is too good.

PZ Myers points to Fundies Say The Darndest Things! for some excellent rainy day humor. Outside of the ranting about how George Takei's coming out has ruined Star Trek, I laughed my ass off at this mix of poorly understood science and overlooking the obvious in the rush to arriving at a predetermined result:

One of the most basic laws in the universe is the Second Law of Thermodynamics. This states that as time goes by, entropy in an environment will increase. Evolution argues differently against a law that is accepted EVERYWHERE BY EVERYONE. Evolution says that we started out simple, and over time became more complex. That just isn't possible: UNLESS there is a giant outside source of energy supplying the Earth with huge amounts of energy. If there were such a source, scientists would certainly know about it.

Yeah, exactly! Where would we have a huge source of energy outside the Earth...

...just pouring all that energy down ...

...on the planet...

...every day...

oh. yeah. Never mind.


I certainly hope that more than just scientists have some knowledge of this mysterious giant outside source of energy. Sheesh.

Monday, November 28, 2005

Beautiful Thing

a couple of spare minutes for blogging.

Today, I would like to draw your attention to the recently completed Millau Bridge in France.

Designed by Norman Foster Partners of London.

This is an awe inspiring example of what is possible through the marriage of art and engineering. The human spirit is nurtured when such attention and beauty is suffused into prosaic structures. This bridge is an unapologetically modern structure; as such, it does not so much impose itself onto the landscape but insert itself into the vista, becoming a framing element and providing sublime counterpoint to the natural elements. As the designer says, the piers seem to grow organically out of the landscape, then flowering into a delicate, technical resolution of the structural forces inherent. It sings; it is triumphant without being overbearing.

I am sure that penny pinching accountants could have saved some euros by having a more ordinary bridge built. But this kind of playing to the lowest common denominator is coarsening; our built environment impoverished when the public realm is ignored and our human nature is dulled.

Public structures used to be considered an opportunity for enrichment of the public space; through decoration, human scaled design, pedestrian friendly detailing and sensitive landscaping.

Now, most public projects are squeezed down to the last penny, because someone somewhere is whining about wasting a tax dollar. Our cities, towns and villages are bleaker because of it.


Now, just go admire some more of these photos. Look at how the bridge looks to float on the clouds; at how it helps frame the vistas.

A thing of beauty is a joy forever.

Friday, November 25, 2005

Facts about cats




A little Holiday catblogging

Toby sleeping with Eric.

Stay Free

John Cusack has written a remembrance of Joe Strummer

Although far too short, it concentrates on the important bits: the energy, the anger, the concern for a better world; and most of all, the music.

The amazing, transcendant, brilliant fuckin music.

Go Read. And do something for someone else this weekend, for Joe.

Friday Random Ten, Extra-Special Thanksgiving Episode!

Yep, I'm in the office today, getting a few things DONE for a change, rather than wasting time in meetings and on the phone.


So we get a FRT after all. I do, and do, and do, for you kids...


1. Dancing on a High Wire from the album “Ammonia Avenue” by The Alan Parsons Project Alright, I like Alan Parsons. Go ahead laugh. Get it out of your system. Anyways, this is a perfect example of the FRT self audit thing I was talking about. I like Alan Parsons, but know it's not cool. I don't think it's EVER been cool. So what should it get a 2? Maybe a 3? Nahh, go with the 2.

2. Never Satisfied from the album “Stain” by Living Colour. On the other hand, LC is very cool. Very hard, very funky metal-rock. They have the distinction of opening for the Stones once; the fogeys there hated them, but they certainly couldn't IGNORE them. That's honorable, and completely punk rock. After a well-accepted first album, they got developed a much more personal style; this album was commercially ignored, but what do you expect? 8/10.

3. Cross-Eyed Mary from the album “Aqualung” by Jethro Tull Shit, where did this come from? iTunes is apparently determined to embarrass me today. I guess this may have been cool once, in the mid 70's, but constant play on Classic Rot radio stations has made it cliche and trite. 1/10

4. corporal chalkie from the album “25 Years: acoustic ” by Mekons Yeah, yeah, try to suck up to me, ITunes, it's not going to work. surprisingly strong song from when the Mekes were starting out and didn't know how to play music; they resurrected it a couple of years ago for the “Punk Rock” album. 9/10.

5. Rhythm Section Want Ad from the album “They Might Be Giants” by They Might Be Giants Old school TMBG. Definitely no longer cool. 5/10.

6. Foxy Lady from the album “Three Imaginary Boys (Deluxe Edition)” by The Cure. Scary version. would give any Hendrix fan conniption fits. Some coolness, just for the sheer youthful exuberant chutzpah and lack of polish. 6/10.

7. Tattooed Me from the album “Faith Folk & Anarchy” by JRK I really don't know where this came from. 5/10 just because I can't even identify it.

8. Viva Las Vegas from the album “Chrome, Smoke & BBQ Box (Disc 4)” by ZZ Top. Yeah, I like ZZTop too. Don't be surprised if I take a mulligan, the way iTUnes is diggin into the embarrassment box today. OK: ZZTop is a great band, tremendous fun live, and have some impeccable roadhouse cred; but don't try and claim they're cool outside of texas. This is a pretty good cover though. 4/10.

9. What a Day (For a Night) from the album “Come Feel Me Tremble” by Paul Westerberg It's not the Mats, but it's Paul. Although I'm pretty certain he's not cool anymore. 5/10.

10. Down In A Hole from the album “MTV Unplugged” by Alice In Chains. Ahh, appealing to my hidden metalhead. Always have a bit of a soft spot for noisy sludge. Like listening to the blues, it can have a consoling effect. 4/10 tho, because it's from a frickin MTV album.

I'm not even adding this one up. Definitely a harsh FRT. Glad you all got a chuckle out of it.

Monday, November 21, 2005

Stupid and Shallow

Y'see, this kind of shit is why I'll never be a Republican.

In all his protean wisdom , Bill Frist has led the Senate Republicans to another shining Moment: they have refused to allow a vote on a resolution to honor Bruce Springsteen on the 30th anniversary of Born To Run.

What a bunch of crybabies.

Yeah, he endorsed Kerry. News Break: Political Opposition is acceptable, even lawful, in this country. It wasn't a problem when the Senate honored Ted Nugent (Ted Nugent! yeah, the man who wrote such meaningful songs as Wang Dang Sweet Poontang)

For what it's worth, I've never been a huge Springsteen fan. I know there are vinyl copies of Born To Run and The River in my collection; I wouldn't be surprised to find some tapes somewhere; And parts of Nebraska and, most recently, Devils and Dust are chilling and great examples of a musician and storyteller at the heights of his powers. I do regret not having the opportunity to see him live yet.

But there's no denying the impact Springsteen has had on music and American Culture. When the robots on MST3K make the comment “wrap your legs around these velvet rims and strap your hands across my engines” nobody has to verify the reference, or it's context. His songs have become a part of our culture in a way few others have accomplished, except maybe Woody Guthrie. His fans are legendary for their devotion; the yell “Bruuuuuuuce” has become a cliche.

For what it's worth, I don't think Springsteen needs, or cares, about affirmation from a bunch of old white guys in suits. Or whatever Jean Schmidt is in her stars and stripes pantsuit. His sympathies have always been with the working man; I'm sure he'd rather that Congress spend some time working on the Iraq problem, or real ways to improve the economy so those 30,000 GM employees might be able to find jobs.

No, I'm sure he doesn't have any great concern over the blatant snub; except maybe in the way it displays the petty vindictiveness that typifies the Modern Republican Party, and ol' LoveCat Bill Frist; in their waning days, as they see their iron fisted control oozing away through public perceptions, indictments, and scandals, they are striking out with as much viciousness as they can muster. If they can't hurt Jack Murtha, they will hurt someone, anyone, associated with the Enemy, in this case viewed as the Democratic Party.

It says so much about their relative power that the best they can do is snub an American artist who has probably done more for American image around the world than the whole Republican Party has in the last decade.

And finally, as with book burning stunts, the whole thing is likely to backfire; even I, upon reading the article, remembered the strength, the honesty, of the songs on Born To Run. So I placed an order for the 30th Anniversary Edition.

Because even if the Senate is so out of touch that they can't make a gesture to honor a quintessential American Musician, fans and music lovers can; they'll honor him with their dollars. And really, what could be more Republican than that?

Friday, November 18, 2005

Hey.


How you doin'?


Been pretty busy, me. No posting, and all kinds of crazy stuff to talk about too. Dang.




Random Ten, and I'm feeling Self-Audit-y today:

58 gigs of music, 40 days of songs.



1. The Rat's Prayer from the album “The Soft Boys 1976-81” by The Soft Boys. Robyn Hitchcock's first band, but it's still Robyn. Death and fish, sex and psychedelia. 7/10, obscure and an IMS favorite, but not one of the best songs.

2. Oh, Me from the album “MTV Unplugged in New York” by Nirvana. Nirvana covering a Meat Puppets song. Say what you will, Karl, but Kurt and the boys loved the Pups and did what they could to get the Arizona desert punks a higher profile. And it seemed to be working until heroin got Cris Kirkwood kicked out of the band. 8/10.

3. Diamond Smiles from the album “The Fine Art of Surfacing” by The Boomtown Rats . One of the first punk bands I really liked. Never really clicked in America; but then, America is pretty clueless, on the whole. 9/10

4. Stalag 123 from the album “Megatop Phoenix” by Big Audio Dynamite. Mick Jones post- Clash. 7/10

5. Baby Genius from the album “Electro-Shock Blues” by Eels. Pretty much a one or two man band, a Man Named E does this stuff. It's pretty good all considered, Alhtough too short. From a concept album about death. Happy songs! 8/10

6. Kenneth -- What's The Frequency? from the album “Lolita Nation” by Game Theory. Scott Miller's first major band. Reviews of this album are required, by international law, to contain the adjective 'sprawling'. Genius nonetheless. 9/10.

7. Making A Noise from the album “Contact From The Underworld Of Redboy” by Robbie Robertson. Member of the Band. Backed up Bob Dylan when he went electric. Canadian. Didja know he's also a Native American? Here, he adds some noise and electronica to an album about being a Native American in America (including a song about Leonard Peltier) A guilty liberal's dream. Redboy is what he was called in school. 10/10.

8. How Beautiful You Are from the album “Kiss Me, Kiss Me, Kiss Me” by The Cure. Robert Smith and his crew at their height. I'm sure they're inspiring a whole new generation of sullen teens to wear black clothes and lots of eyeliner. 7/10.

9. Rude Girl from the album “SKA The Third Wave-Volume 2” by Undercover S.K.A. what to say? It's ska. Perennially underground, perennially popular. 8/10.

10. What More Can I Do? from the album “The Brooklyn Side” by The Bottle Rockets. Ah. Former Bloodshot recording artists, these guys can kick pretty well live. I once saw them play a set list completely chronologically, froom their first single to a new unreleased song. Their hats might get them mistaken for a modern country artist, but any one of them could kick Lee Greenwood's ass while outdrinking Kenny Chesney and Charlie Daniels combined. 7/10


A couple of bonus tunes, cuz some of those up there were pretty short.


11. Great King Rat (Live) from the album “At the BBC (Live)” by Queen. Old fashioned hard rock glam. Nobody will ever replace Freddie Mercury. Paul Rodgers? Please, don't make me retch. 8/10

12. Joan Crawford from the album “Fire Of Unknown Origin” by Blue Öyster Cult. Probably receive a verbal assault from the Music Snob. I know, I know, no matter how much I like 'em, it's still not cool. In the immortal words of Tom Servo, Bite Me. It's not Dokken. 4/10.

13. Liar, Liar from the album “Nuggets: Original Artyfacts From The First Psychedelic Era” by The Castaways. Late 60's garage rock. The stuff on this album provided a blueprint for punk and post-punk bands, and some of it still sounds contemporary. Debbie Harry did a cover of this song once. Never touched the original. 7/10.




Average: 7.6, but a 1 point penalty for no Mekons connection: 6.6.
no mulligans



I've got a theory about the Self Audit.

Because each person's music library is, to a certain extent, self selected, most of that music will, in that person's opinion, be above average. even the guilty pleasures will fall into one of two categories: either really embarrassing (which doesn't seem to happen that often) or embarrassing but the person will defend it, giving themselves a 4 or 5.

But It also seems that Self Auditers are hesitant to rate many of their songs in the 9 or 10 range, not wanting to appear too much the Insufferable Music Snob.

Hence, if you look at the range of Self Audit scores around, the score is nearly always between 6.2 and 6.9. There are some outliers, like Norbizness while he was between music services, or the odd self auditer who will rate Journey above a 2, but these can to be considered statistical noise.

Of course, Norbizness and Lauren are excluded from this rule, because the former is from Austin and knows from music, and the latter because she IS the IMS.

I call this the Milwaukee Effect of Random Ten Normalization. MERT-N.

Friday, November 11, 2005

Don't worry about the Government.

wacky bastoids at MIT.


I particularly love the serious attitude of this. It's like an ep of Mythbusters.

SCIENCE!





...now I need new helmets.

What God Wants, Part 1

This guy is sick.

Hallelujah!

Thank You Jesus!


See a doctor, man.

Friday Random Ten, Veteran's Day Edition

Used to be Armistice Day, right?

Anyway.


1. A Forest - The Cure. Prototypical goth. Still likes 'em, I do. Perfect music for fall.

2. Ana Ng - They Might Be Giants.

3. On The Air - Peter Gabriel.

4. Perfume-V - Pavement. They were cool once, but now I'm sure that the Insufferable Music Snob would say they are no longer cool at all. It's so hard keeping up with Teh Kewl.

5. Blowin In The Wind - Neil Yound And Crazy Horse. Old hippie singing old hippie shit. Pretty noisy though.

6. Beach - Ray Wilson. I liked him as vocalist for Genesis.

7. American Pageant - Jon Langford and His Sadies. Given the size of the collection, It may be some indication of the amount of Mekons related music I have that nearly every FRT some of it plays. This is a live version.

8. Mayor Of The Moon - Jon Langford and His Sadies. Now that's a bit creepy. Not only the same musician, but the same dang album. If they weren't non-successive tracks, I would think it got stuck or something.

9. Hallo Spaceboy - David Bowie. Is this aging well? Don't know. Loved it when it came out. But then I was one of the seven who like Tin Machine.

10. She Went To Germany - Violent Femmes.

That's ten. no mulligans.

Thursday, November 10, 2005

Get Thee Gone

Sorry about the word verification on the comments, there.

For the one or two people who actually comment. And Nick.

But I felt that nobody here really has much need for acne medications anymore, and I just don't have time to go around cleaning the damn spam up all the time. So type in the dang word already, willya? And if you don't like it, let me know, so I can blow you off.

Thanks. Keep your stick on the ice.

I Forgot What I Was Drinking To Forget

Is Wa-Ha a verb or an adjective?

I first saw Free Hot Lunch in the summer of 1983, at a bar in Platteville.

It's a bit of a story. Settle in, Get comfortable.

I was taking some summer classes, prior to transferring colleges. A friend was in town visiting, and we already had done a fair bit of drinking the night before (this was summer, and the middle of corn country; having hayfever, I was almost always a bit looped on antihistamines, and was usually a cheap date). On this day, we got up at the crack of afternoon, and futzed around for awhile playing half-assed croquet and drinking half-assed boat drinks made with generic Orange Drink and lots of ice. It was hot.

When we ran out of booze, we started wandering off in the general direction of some bars. We stopped in the local music store and abused a few instruments until some real musicians came in, then wandered off again. Downhill; it was hot.

At this point, our primary goal was a cold drink in an air conditioned bar. Have I mentioned it was hot? The only game at 4 in the afternoon was the Hoist House; not a bad choice, but the air conditioner was laboring valiantly, having seen better days. We settled in with a pitcher of Augsburger Dark, but really didn't make much headway on it. Seemed out of sync somehow.

When the bartender served up a tray of gin and tonics to another patron, it seemed all too plain; thick German style beer just doesn't work on a hot day. So we switched; beer for G&Ts. This worked and the afternoon started to slide away in that painless way. I think we had some food; but I can't be sure. A Limited budget makes for hard choices, and we were making them.

We saw the signs for the band; I only knew that they were from Madison. I had some impression they were a blues band, but have no idea where I got that from. Finally, after we had successfully ignored the soundcheck, one came up to see if they could squeeze a cover out of us, and we started to argue a bit; the bartender eventually comped for us because we had been there all afternoon.

And Free Hot Lunch played.



It's always been hard to describe Wa-Ha Music to someone who hasn't seen them; as with so much good music, it lives at the fullest when played live. Many people, upon hearing the recordings, compare them to Jimmy Buffett, and I grudgingly concede the similarity. However, I always then have to point out one important, glaring difference: I don't like Jimmy Buffett (and yes, I have seen him in a show).

Free Hot Lunch's Influences range from folk, and jazz, and country, with a fair amount of bluegrass and pop thrown in and maybe a little bit of reggae. Woven throughout is ace musicianship, and wonderful vocal harmonies. But throughout all, the band has an irrepressible sense of humor, especially about sex (one of their songs, they called it 'folk-punk', was titled "My Wife and My Best Friend's Girl") and a healthy dose of self-deprecation. They always displayed clever wit on stage, and dealt with hecklers like experienced stand ups. It was always easy to get them off track, and more than once I saw them stop a song in the middle to drink a shot of tequila bought by a member of the audience, a tradition. Give and take between the band and the audience is expected, and is actually as much a part of the show; they don't care if you drink, dance, or just shout out rude comments, but they won't let you just sit there.


It must be mentioned that at the time, I was growing out of my high school metal phase, and had been happily wandering through punk, alternative, and new wave music. But regardless, we had an immensely enjoyable time; I actually think I was even more impressed because the music wasn't my typical fare, but I still thoroughly enjoyed it. After the show, I bought the band's album (big vinyl one) and a t-shirt, and went wandering off through the local bars to find other friends who I could drunkenly harangue about this band.

Since then, we have followed the band over many years, and seen them in many places. It's impossible to remember how many times, but I would guess at least thirty. We saw amazing shows in the Club de Wash in Madison, and Summerfest. But the band suffered from Music Industry Weasel Syndrome: they couldn't be handily pigeonholed, packaged, and promoted, so despite a rabid regional fan base, local radio play, an honest and adult work ethic and great songs (even scoring a laudatory review in Playboy) they plateaued in the 90's and hung up the flowered shirts in 1995 or thereabouts.

As one of the band members ruefully admitted the other night "It just wasn't fun anymore" and looking back, I guess we could see that. The on stage humor was less natural, and more sniping seemed to be going on; nobody seemed to want to talk to the audience after the shows anymore.

But before that time, through all these different parts of my life, dragging a bunch of bemused friends to Free Hot Lunch kept a constant refrain. After seeing the boys perform that first night, I wrote a long rambling near-incoherent letter to my then girlfriend, who read with bemusement to say the least. Eventually, I managed to take her to a show, and then she understood. Actually, I dare say it may have damaged her somehow, because she eventually married me.

So it was with much regret that we heard that the band had hung it up in the 90s. Since then, it has always seemed that something was just missing at Summerfest, or that it seemed like a Free Hot Lunch show should be coming up; With all the music I listen to, no one band has ever really filled the void they left.

Then, a couple of years ago, at a Christmas Party, a friend mentioned that he had heard that a reunion gig was in the offing. I immediately grabbed him by the shirt and extracted all the information I could, reminding him that if he was wrong, i would have to kill him. He understood. But when I managed to track down the Wa-Ha Surf Shop later, I found it was true, kind of. Turns out the band was going to be all in one place at one time, and thought they'd play a few songs...in Hawaii.

WTF. Turns out that the band members had gone various directions, one staying in Madison, one moving to Florida, and one moving to Hawaii.

what choice was there? We scraped the money together and got on the Bar That Flies, to a WaHa vacation in paradise. The band was sloppy, and didn't know many songs, the locals were confused, but ended up dancing, and the 30 or so people from the Midwest who made it were some of the happiest sunburned people you've ever seen. we got it all on video.



Last year, they actually made a 'tour' of it, playing Summerfest, a couple of shows in Madison, and an NPR style chautauqua in Bayfield. The band members admitted they had fun, so...

It was Florida's turn. Fort Myers Beach, to be exact. And that's where I was all last week, if you couldn't figure it out. The band played Friday and Saturday night to 100 of their friends; the waitstaff and bartenders had no idea what to expect but had nearly as good a time as the crowd, and got tipped for it. Much tequila was drank, and I'm proud to say I was the first to buy the band shots on Friday night. On Saturday I think the band got shots before they started the first song. John Corning said at one point that his wife suggested that he not drink any more tequila; he replied "well, I'm not going to drink any LESS tequila"

The band actually practiced (!), and dug into the WayBack machine, playing all of my favorites: Oz, Yours, Ring Around The Moon, Forgot What I Was Drinking To Forget, Home of The whales... and several even I hadn't heard before. Or at least don't remember hearing. And, of course, I Hate To Wake Up Sober In Nebraska. They played completely different sets both nights, and ended up, of course, with Reiba's Cantina and encored with Sailor's Prayer. There were new t-shirts available, and they even dug out some old promo glossies and were giving them away. The members of the band were maybe a bit overwhelmed, but had nearly as good a time as we did. It was epic, and a friend got a digital soundboard patch, so we should have a high quality recording soon.

They messed up a couple of songs, of course; but managed to make it part of the ongoing semi-comedy routine throughout the songs. Oh, and there was that Gilligan's Stairway interlude...

They even played a NEW Free Hot Lunch song.

True exchange from the stage: "When was the last time you heard a new Free Hot Lunch song?"
From the audience: "Last night!"
From the band, laughter, then: "I love playing these Alzheimer's shows."
Here's a coda, just to irritate those that didn't rearrange their lives to make it: It was, without a doubt, the definitive Free Hot Lunch show; by spreading it over 4 long sets and two nights, they managed two sober portions of the show, and two 'drinking' sets, as well as playing practically every song anybody could want to hear.

And the 100 people who traveled from all ends off the continent had more fun than is legal, anymore. It must be wonderfully rewarding for Jeff, John and Jeff to be able to make that many people so happy.

Well, this is much longer than I thought it would be. Kudos to anyone who managed to make it all the way through.